《马栏花花便利店 第二季》为经营类真人秀节目，其核心理念是明星嘉宾们通过体验各种经营项目，感受人间百态，传递生活温暖。这一季中，吴昕、宣璐、连淮伟、姚景元、周大为等化身为便利店合伙人，开启花花便利店的经营工作，更有古力娜扎作为特别合伙人加入经营。他们同居住，共进退，完成节目组安排的各类经营挑战，深入体验职场人丰富多元的生活，用辛勤和汗水完成自己的经营目标，传递年轻职场人的积极正能量。

《马栏花花便利店》是一档便利店经营体验类节目。节目将邀请五位固定嘉宾化身为“花花合伙人”入职便利店，他们怀揣着创业梦想，从零开始积极投身便利店经营中。在真实经营的便利店中，合伙人们将通过接待形形色色的顾客，完成多重任务，展现当代年轻人如何通力合作、待人接物，用平凡和真诚的经营来吸引和打动受众。这不仅将成为一本便利店经营手册，还将是一个能关照社会现实，抒写都市人生百态的节目。

金氏便利店是一家位于多伦多市中心的家庭便利店，由韩裔金氏一家人经营。金家阿爸和欧妈80年代移民多伦多，有一儿一女Jung和Janet。哥哥Jung16岁时，跟阿爸大打出手，离家出走，从此跟阿爸断绝了联系（但是欧妈和妹妹都时常走动），现在在租车行工作，想要将生活步入正轨。妹妹Janet在艺术大学学习摄影。这是一部以亚裔移民家庭为中心的喜剧，在充满笑料的同时，欧妈和妹妹都希望阿爸能和哥哥重修于好。by:meijubar.net

慕哈巴特离乡背井，从乌兹别克偷渡莫斯科边陲，一个没有合法身分的女人，为了生存沦为当地超市的奴隶。苛刻老板娘扣押她的证件，还假好心的把她许配给左右手，怀上他的骨肉。 24小时全年无休的招牌在夜里闪耀，讽刺地彰显她被凌迟的命运。慕可哈巴目光所及之处出不了昏暗的超商走道，监视器画面就是她人生的全部。当她刚产下的男婴被无情送走，慕哈巴特终于推开超商大门，为同在人间炼狱的移工找到奥援。自由与尊严，是否真的能随之而来？ 　　本片改编自千禧时代发生于俄罗斯的真实案件，中亚非法移民被囚禁在超市里被迫提供免费劳力长达十年，事件被揭发后，移民却因未能取得合法居留权被全数遣返。同样曾经身为非法移民、在社会边陲挣扎的导演鲍罗定，在首部长片中以社会案件为基底，揭露黑暗真相时也回望私历史。宽幅构图让生命的残酷展露无遗，阴沉的昏黄色调提炼恶梦的质地如影随形。镜头跟随主角，让目光探进尊严尽失、泯灭人性的修罗场，冷静、严谨地打开地狱之门，仿佛看见当代奴隶的真实悲歌。

慕哈巴特离乡背井，从乌兹别克偷渡莫斯科边陲，一个没有合法身分的女人，为了生存沦为当地超市的奴隶。苛刻老板娘扣押她的证件，还假好心的把她许配给左右手，怀上他的骨肉。 24小时全年无休的招牌在夜里闪耀，讽刺地彰显她被凌迟的命运。慕可哈巴目光所及之处出不了昏暗的超商走道，监视器画面就是她人生的全部。当她刚产下的男婴被无情送走，慕哈巴特终于推开超商大门，为同在人间炼狱的移工找到奥援。自由与尊严，是否真的能随之而来？ 　　本片改编自千禧时代发生于俄罗斯的真实案件，中亚非法移民被囚禁在超市里被迫提供免费劳力长达十年，事件被揭发后，移民却因未能取得合法居留权被全数遣返。同样曾经身为非法移民、在社会边陲挣扎的导演鲍罗定，在首部长片中以社会案件为基底，揭露黑暗真相时也回望私历史。宽幅构图让生命的残酷展露无遗，阴沉的昏黄色调提炼恶梦的质地如影随形。镜头跟随主角，让目光探进尊严尽失、泯灭人性的修罗场，冷静、严谨地打开地狱之门，仿佛看见当代奴隶的真实悲歌。

《便利店新星》是由四次元单纯恶女打工妹和呆萌的暖男店长以便利店为背景展开的24小时无法预测浪漫喜剧，改编自同名漫画。

“大海、天空、碧蓝闪耀的奇幻乐园、海豚便利屋，不论是递送失物或是击退怪兽，任何工作全都交给海豚屋为你处理吧！” 今年就读国小六年级的三姊妹小海、小空、小碧，在鎌仓附近的湘南海岸经营着一家名号响亮的“海豚屋”。她们以“什么样的委托都不拒绝”为原则，再加上办事效率又高，因而得到所有委托人的信赖，每天都有接不完的工作。某天，海豚屋接到了一项有史以来最大的案子…，这三姐妹真的能顺利完成这项任务吗？

三岛春来（寺岛拓笃 配音）是一位非常平凡的高中一年级生，因为一本名为《人鱼的王子》的绘本而对游泳这项运动产生了兴趣，继而加入了学校的游泳部。实际上，春来一直默默的喜欢着名为真四季美春（神田沙也加 配音）的女孩，正是这个热爱读书的女孩给了他那本改变了他命运的绘本。本田塔羽（铃村健一 配音）是班级里公认的轻浮男，但实际上，在轻浮的外表之下，他的个性却反而非常的认真。三桥真珠（钉宫理惠 配音）是一位标准的优等生，在严格的家庭之中长大。命运让这两个性格截然相反的人相遇了，看着真珠的样子，本田感到内心里的感情正在不断地悸动。

Kato is an aspiring screenwriter treading water. He spends his days pitching stories to offbeat agents and executives who are anything but impressed. Not that he has run out of ideas, they just don’t seem to go anywhere. Unlike his relationship with his girlfriend Zigzag – that one is going down the drain. Little does Kato – or anyone – know that life is about to take some seriously weird turns. 　　While out to buy the special brand of food for his girlfriend’s dog Cerberus, Kato discovers an abandoned convenience store that transforms his trajectory. A stumble into a refrigerator catapults him into a realm of fantastical inspiration boosted by an eccentric couple he meets along the way. Might this be the key to getting his mojo back? 　　Miki Satoshi (Adrift in Tokyo, What to Do with the Dead Kaiju?) returns with a surreal and quirky indie film that manages to be both charming and deeply philosophical. Teaming up with Japanese cinema expert and notable critic for The Japan Times Mark Schilling (Art, Cult and Commerce: Japanese Cinema Since 2000), Convenience Story takes you on an eccentric Dantean ride brimming with psychological tension and the zest of karma. From the purgatory of writer’s block, to a hell of an adventure, Kato’s journey is a satisfying and thoughtful tale. 　　源自：https://iffr.com/en/iffr/2023/films/convenience-story

Kato is an aspiring screenwriter treading water. He spends his days pitching stories to offbeat agents and executives who are anything but impressed. Not that he has run out of ideas, they just don’t seem to go anywhere. Unlike his relationship with his girlfriend Zigzag – that one is going down the drain. Little does Kato – or anyone – know that life is about to take some seriously weird turns. 　　While out to buy the special brand of food for his girlfriend’s dog Cerberus, Kato discovers an abandoned convenience store that transforms his trajectory. A stumble into a refrigerator catapults him into a realm of fantastical inspiration boosted by an eccentric couple he meets along the way. Might this be the key to getting his mojo back? 　　Miki Satoshi (Adrift in Tokyo, What to Do with the Dead Kaiju?) returns with a surreal and quirky indie film that manages to be both charming and deeply philosophical. Teaming up with Japanese cinema expert and notable critic for The Japan Times Mark Schilling (Art, Cult and Commerce: Japanese Cinema Since 2000), Convenience Story takes you on an eccentric Dantean ride brimming with psychological tension and the zest of karma. From the purgatory of writer’s block, to a hell of an adventure, Kato’s journey is a satisfying and thoughtful tale. 　　源自：https://iffr.com/en/iffr/2023/films/convenience-story